A few fonts from my early days, when I was figuring things out (and breaking a few design rules along the way). Some were built from scraps, others from bad ideas that got better with time. None were meant to last this long—but they did. Use them freely, and at your own risk.
Born from a friend’s lettering and a rejected band logo, Reconstruct started as a hand-drawn stencil and evolved into a full typeface. Its rough geometry carries that DIY, rebuilt-by-hand energy.
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Originally made for the DIY venue Club Karate, Hellveticuh riffs on xeroxed flyer art—distressed, half-toned, and unapologetically loud. It’s since shown up everywhere from PETA campaigns to Victory Records sleeves.
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Developed from scans of a vintage player piano roll found at a thrift store, this “found type” has a stenciled, uneven quality that recalls CRASS-era punk graphics and photocopied manifestos.
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Created by transferring a digital print onto limestone and printing it to newsprint through a lithographic process. The result: an organic, timeworn texture that blurs the line between analog and digital.
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Inspired by early tattoo flash shared by artist Mario Desa, Bowery captures the rhythm of traditional tattoo handwriting—raw, confident, and full of personality. Made to fill a gap that didn’t exist yet.
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Based on stenciled lettering spotted on touring bands’ road cases, this face began as a logo comp that never made it to print. The idea stuck—and the type found its second life on the page.
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A rounded, alternate version of Rescue Technician, born from the same rejected band logo. Its softened edges give a worn, lived-in feel—proof that sometimes the leftovers turn out better than the brief.
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These typefaces licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
